I'm sorry to say that Pitchfork is and has been pretty much the only source of music journalism and opinion I give any time to. I started reading it daily about a decade ago and as teenage fanaticism slowly transitioned into adult scatteredness, I just never bothered to develop a backup source (beyond several friends with fantastic taste.) As the writers have slowly grown up with me (maintaining a constantly superior knowledge of esoterica and theory), it's always felt like the perfect match for nerdy and uppity musical flaneurs such as myself.
They have a new feature writer this week. Erik Harvey's post on fandom and sampling is alternately touching, edifying, and revealing. Good for him.
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